Skulking to slinky sequenced synthesizers and beats, Eminem feigns ignorance about the effect his lyrics could have on a teenager who might kill himself or strike a girl. Of course, he’s not that naïve, but he has a point: you can only blame music for so much. To the extent that teenagers act out violence upon self or others, Mr. Mathers shunts the blame to parents and to the teens themselves who idiotically take his lyrics to be literal behavioral cues.
While parents shouldn’t necessarily hand over a copy of The Marshall Mathers LP to their 10 year-old, Eminem gives us fair warning that we are better off teaching our children about the violence, profanity and misguided views (misogyny, homophobia) to which they will inevitably be exposed, so that they might develop a sense of right and wrong that will serve them well as adults. In that regard, it’ll be interesting to see how his daughter Hailie grows up. His love for her is well-documented, but one has to wonder what hearing songs your father wrote about killing your mother and dumping her in a lake (“Kim”; “’97 Bonnie and Clyde”) does to a young girl. Even Slim Shady himself admits in 2002’s “My Dad’s Gone Crazy” that he wouldn’t let her listen to his music.
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