Kim (2000) – Eminem
(The Cupid Chronicles: Complexions of Love – Caught In The Grip Of A Jealous Rage a.k.a. The O.J. Syndrome)
If one gets past the bloodcurdling misogynistic violence depicted in “Kim” (which is really of the variety one would expect to see in a Wes Craven movie), what emerges is Marshall Mathers’ songwriting talent. His conversational delivery flows naturally like movie script dialogue written in rhyme, blending the distinction between rapping and speaking (well, in this case, screaming) by infusing histrionics into well-crafted meter. After cooing over his toddler daughter, Eminem resumes the abduction of his ex-wife. He murdered her new husband and his four-year old son, but is going to make it appear that she was responsible and committed suicide. All the while he rants like a lunatic, portraying both the raging assailant and his whimpering victim, avowing that if he can’t have her, he must kill her—which he ultimately does by slitting her throat. The venom with which Eminem expectorates his vituperation is enough to repulse the average listener, and even the most seasoned rap fan is apt to be a little uncomfortable. Yet, despite this graphic homicidal fantasy preserved for posterity, the rumor is that Kim and Marshall are engaged for a third time. Looks like they really want to give that “’till death do us part” vow one more shot.
No comments:
Post a Comment