Come Back Margaret (2006) – Camera Obscura
Flourishing a swooning string section befitting a Romanian gymnastics floor exercise routine, “Come Back Margaret” provides a maudlin accompaniment for Tracyanne Campbell as her heart goes through its tumbling routine (metaphorical abuse acknowledged). Drums echo in a chamber of Psychocandy-era Bobby Gillespie floor tom/snare minimalism, sonar signals to calculate the emptiness that haunts Campbell’s heart. The lusterless production quality that pervades Camera Obscura’s brilliant 2006 release, Let’s Get Out Of This Country, suitably emulates the raw resourcefulness of someone capturing an inspired moment on a hand-held tape recorder off a Summer Olympics television broadcast. And, it’s the parturient idleness of summer that inspires Campbell to confess her bi-curious attraction towards an itinerant girl. She obscures her fantasies behind the facade of a distasteful heterosexual relationship and a winsome melody, all the while longing to woo Margaret into staying with the pining in her voice. Ultimately, though, Campbell’s tears are merely incidental to the compulsories of competition, as the world and its romance vie for Margaret’s affections as well. Perhaps Tracyanne will finally win her over before the next sojourn’s end.
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