(Epilogue to the Gorgeousness and Gloom tetralogy)
Despite its odd and enigmatic ambiguity, “Communication” is Nina Persson’s moment of pure vocal perfection wherein she radiates the quintessence of beauty. It unfurls slowly like a country ballad playing on the jukebox of a lonely roadhouse in the purlieus of Twin Peaks. Its warm tube compression and lush reverb cradle Persson’s silken, slightly smoky voice that lingers on notes, caressing each measure with pathos (including a heart-rending, tear-welling massaging of “eye” in the second verse).
Portraying a woman who has searched unsuccessfully for intimacy, she finally discovers a promising soul mate. The details of their circumstance slowly begin to unfold: soon after they met, she discovered their shared heroin addiction; unbeknownst to him, she fell in love—unrequited—but at least in those moments when they were shooting-up together, they were simpatico. However, she died from an overdose. She lives on in his memories, but the presence he sometimes feels is, in fact, her supernatural attempts to let him know she is there. From her heavenly vantage point, she still believes he’ll one day realize how she felt about him, and maybe he’ll reciprocate, at least metaphysically. But, to her dismay, as difficult as conveying her feelings to him seemed in life, they are nearly impossible in the hereafter, given his unwillingness to hold a séance or consult a Ouija board. So desperate has she become, that she tries to beckon him by planting suicidal thoughts as he sleeps. All she can do is wait for death, whenever that may occur (an overdose, perhaps?), to reunite them. Such futility exacerbates the frustration of a soul who, even without corporeal existence, craves elusive companionship.
Listen to "Communication" and purchase from iTunes Music Store.
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